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Nice sunny day and the only chance of a
shower for the rest of the work week

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might be late Thursday or Thursday
night.

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00:00:19,260 --> 00:00:23,500
Get ready for the second coming of Air
Jordan. It's primary day and the polls

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are open in New York City.

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00:00:25,040 --> 00:00:27,800
Voters are deciding among about 250
candidates.

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00:00:40,180 --> 00:00:42,980
Giants lose their opener in Monday Night
Football in Denver.

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00:00:43,220 --> 00:00:45,940
Yankees and Red Sox wash down in the
Bronx. How many sugar?

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Good morning. 64 degrees Tuesday,
September 11.

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It's 8.52 here in New York. We
understand that there has been a plane

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crash on the southern tip of Manhattan.
You're looking at the World Trade

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Center.

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i was just about to go away out of out
of town for the uh that day and i my

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flight was cancelled i went back
downtown and um

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and already checkpoints have been set up
in canal street and so on i went through

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and got home and my i lived about nine
blocks north of the uh

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world trade center i had my television
big Big

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screen television to my left and I had
the big picture window And

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when I saw the South Tower start to go
down I had to

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look at the television to confirm what I
was seeing out my window with my own

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eyes It was unreal. It was surreal

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And then ran like hell, thank God.

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I'm 69, but I can still run.

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You didn't know what the future would
be.

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It was so bad that you couldn't even
comprehend the enormity of it.

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Well, that's not the right word. I guess
it was just, you know.

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Tribeca was one of those neighborhoods
that was sealed off.

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Which meant no one was coming back
anytime soon.

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If ever.

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Businesses closed.

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The streets emptied.

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People scattered.

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The air was toxic.

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And it would take years to understand
what it was doing to people.

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It wasn't just the grief for the nearly
3,000 who died that day.

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It was a rupture in the geography of the
city.

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People were afraid to come downtown.

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Bob and I wanted to help we knew we had
to do something

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It's crazy thinking it was 25 years ago.

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The towers were in our neighborhood.

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So at that moment, we were human beings
with hearts broken and our

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community torn apart.

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And a huge hole in the ground left by
terrorists. What the hell could we do to

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fight back?

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And what the hell could we do to say,
we're still here, screw you, and we're

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going to show you stories, and we're
going to do something, and we are loud

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and proud.

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We just did it. And I think more of us
have to

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do.

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In 1989, Jane and I started the Tribeca
Film Center.

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If you looked left out of my office
window, you could see the towers.

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They were always there.

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Which means after a while, you just
stopped noticing them.

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And then, one day, they were gone.

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People needed to come together, and
that's what art does.

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It unites us.

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It pushes back against the things that
try to tear us apart.

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When freedom is under such attack,
storytellers need to

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gather in response.

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It's creating an environment where
people feel safe to tell their story,

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whatever their story is.

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I fell in love with New York through the
movies, and now New York needed the

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movies to recover.

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The fuck are you smiling about?

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To me, New York is the most cinematic
city in the world.

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It can be romantic, gritty, lonely,
desperate,

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or ready to explode.

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The city's famous for the big stuff.

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The skyline, the bridges, the landmarks
everybody recognizes.

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But I always thought the places that got
the least attention were the most

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interesting. Hey!

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I'm walking here!

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Well, look, George.

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You hear that, New York? We don't quit!

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Now, how do you like that?

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Two and a half miles is as wide as this
cacophony gets.

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You see the world through someone else's
eyes.

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You start to understand how other people
see things.

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00:09:01,930 --> 00:09:04,830
I'm as mad as hell! I'm not gonna take
this anymore!

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00:09:05,530 --> 00:09:08,250
And somewhere in there, your perspective
shifts.

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I personally figured I was watching
something that somebody else would never

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see again in the world. Thought it was
once in a lifetime.

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And no matter what the city does to us,
we always come back to it.

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I love this town!

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The site selected for the Trade Center
was an old section of Manhattan's Lower

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West Side.

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The area housed a great number of small
businesses, but the predominance of

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electronic stores caused it to be known
as Radio Row.

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In 1966, demolition began.

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In all, 164 buildings had to be torn
down, and generations of power,

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telephone, gas, steam, and water lines
had to be rerouted.

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More than 250,000 people live here in
the neighborhoods that surround the site

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where the Twin Towers once stood.

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This area is a ghost town, totally
closed to the public. There isn't even

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electricity in many of these buildings
right now.

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00:10:17,640 --> 00:10:21,560
I wish things were normal just so we
didn't have to think about it. I wish we

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could just go to a movie theater and
watch movies, but none are open. I wish,

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you know, it's hard.

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It was devastation downtown.

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in terms of the restaurants and the
businesses.

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We had a lot of friends that worked as
waiters and people that ran clubs.

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I mean, it was just terrible down there.
It was dying.

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We started organizing these events
called Dinner Downtown.

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I had this idea of inviting people to
come to these dinners.

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My goal was have a meal, save a job.

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They kept growing in size.

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You got assigned with like four other
celebrities to go to a restaurant and

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you're going to have dinner in one
restaurant and then go to another place

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to have dessert.

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There was like 30 teams or some crazy
thing.

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It puts smiles on people's faces.

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You can't underestimate the power of
that.

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Not only to rejuvenate the neighborhood,
but to lift people's spirits in a

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genuine fucking way.

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At one dinner downtown, there was this
Con Ed worker who had lost his son

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sitting next to me.

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He said he felt like it was finally okay
to leave the house to do something

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besides mourn.

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That was in November 2001.

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Dozens of New York notables are trying
to jumpstart the tourism industry with a

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$40 million advertising campaign.

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If it's not such a big deal, why don't
you be the turkey? You want me to be the

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turkey? Yeah, come on.

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We were doing everything we could think
of to get New York to feel like New York

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again.

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We thought, how do we give our community
something to look forward to?

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Could we give our neighbors a new
memory?

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Bob and I talked about doing a film
festival, but this felt like the right

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time.

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Tribeca Film Festival is a unique
opportunity for people to join together

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in the downtown community to share their
loves of cinema.

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And if anybody could do this, it's Bob
De Niro and Jane Rosenthal.

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I thought it was a great idea.

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They had a vision.

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You don't go into battle without having
a strategy or a plan, and they had that.

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And I've seen a lot of things start and
just crumble.

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This did not.

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This is the time to do it. It's very
important for many reasons, many obvious

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reasons. And so let's do it.

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The festival was kind of an act of
defiance.

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We had 120 days,

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1,300 volunteers, no money, no
blueprint, just an idea and a

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neighborhood that needed people back in
it.

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This wasn't just about movies. It was
about whether downtown was coming back.

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Some of the toughest things were
figuring out what movie theaters we

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could go into. We had to go in wearing
hazmat suits.

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We had to get the city on board,
business leaders, politicians.

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Mike Bloomberg showed up first just as a
supporter, then as the mayor.

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Nobody slept much.

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You looked out the window, it was still
smoking.

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That kept things in perspective.

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Our city had been attacked.

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It felt like this is what you had to do.

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There was this mantra that we had.

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Whenever people would get upset about
something or complain about something or

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whatever it was, we'd say, look left.

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That's why we're doing it.

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We weren't sure how it would feel to go
from a recovery operation in lower

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Manhattan to suddenly screening movies.

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We invited Nelson Mandela to open the
first festival.

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He really gave us a way forward.

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Our goal was to celebrate the power of
filmmaking, but more importantly, to

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revitalize our neighborhood that was
devastated on September 11th.

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The mission of the film festival is
simple, to bring 50,000 people to Lower

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Manhattan over the next four days, to
use the power of filmmaking not only to

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entertain, but also to rebuild our city.

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We invite everyone to come and join us.

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This neighborhood in particular is, even
before September, was just sort of being

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born, and now it needs all this healing.
So I think it's sort of a perfect thing

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they've done.

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You know, the great thing about the
movie business is that it draws crowds.

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So when you have a film festival, you
know, you're going to have people down

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in the neighborhood, and that's going to
help all of the restaurants and all of

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the smaller businesses.

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I mean, live down here, I saw firsthand
just how devastated the neighborhood

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was. So when Jane and Bob called about
the festival, it was a no-brainer to

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jump in and do whatever they asked me to
do. And that's what our community

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needed, you know, to be in a room
laughing and crying together.

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That first year was important to have a
comedy because you wanted to laugh.

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If you laughed, your endorphins come
out, and then you feel better.

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You just go.

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Okay. I'll be back.

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Ooh, I'm really scared.

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I've been to a lot of film festivals.

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I love them and I believe in them. And
I've seen it firsthand time and time

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again, what a fabulous vitamin B12
injection to the buttock they can be to

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any area, any city, any town.

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Now there's, you know, obviously the
neighborhood's really rejuvenated.

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More people are walking up and down the
streets than I've ever seen in months.

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People seem to be, you know, having a
good time, talking about movies,

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thinking about the neighborhood, which
is really the whole point of it.

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The thing that Bob and Jane really did.

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was to say to people, listen, yes, this
happened.

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We're not afraid.

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Downtown will not just be revitalized,
but it will be reinvigorated.

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Part of the responsibility that Bob and
Jane took on was saying quite

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00:17:06,380 --> 00:17:09,800
loudly, we are not going to take this
lying down.

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We're going to bring downtown back.

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I lived downtown.

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We had started work on a documentary
about 9-11, and I wanted Bob, who was

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00:17:29,260 --> 00:17:33,380
sort of the unofficial mayor of Tribeca,
to be the front person for it. It's hard

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00:17:33,380 --> 00:17:37,520
to weigh what happened on September
11th. But then he and Jane came up with

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the idea of doing a film festival
downtown, and I don't know anybody who

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00:17:41,940 --> 00:17:43,140
could say no to Bob De Niro.

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00:17:43,800 --> 00:17:47,600
Graydon Carter had the idea of doing a
Vanity Fair party at the courthouse.

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00:17:49,610 --> 00:17:53,150
And that's kind of when the festival
felt real, like, oh my God, we've really

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00:17:53,150 --> 00:17:56,110
done something. Look, it's real.

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00:17:58,110 --> 00:18:04,090
At the event, if anybody needed to know
where the bathrooms were, they'd ask any

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00:18:04,090 --> 00:18:07,510
nearby billionaire, because the
billionaires had all had trials in the

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00:18:07,510 --> 00:18:09,590
building and knew exactly where the
men's rooms were.

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00:18:11,190 --> 00:18:15,970
The Tribeca Film Festival, that was the
beginning of putting the city back

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together.

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00:18:17,310 --> 00:18:18,670
Now it's part of the...

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00:18:18,990 --> 00:18:25,650
cultural schedule of the city the
festival started as a reaction to 9 11

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00:18:25,650 --> 00:18:32,610
but it was also the birth of something
very special what can we do to keep our

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00:18:32,610 --> 00:18:34,510
neighborhood alive and moving forward

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00:18:34,510 --> 00:18:41,370
we all had different

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00:18:41,370 --> 00:18:45,550
visions of cinema jane had a vision bob
had a vision i had a vision

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00:18:46,350 --> 00:18:48,590
Marty Scorsese was involved at the
beginning.

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00:18:48,830 --> 00:18:53,630
In fact, Marty began supplying films for
retrospectives and the idea that a film

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00:18:53,630 --> 00:18:58,970
festival would be new films, but also
classic films, silent films, be all

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kinds of cinema.

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00:19:00,630 --> 00:19:05,210
This was part of what a film festival is
supposed to be and what Tribeca became.

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For me...

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this Manhattan is the universe.

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And so everything I see and everything I
react to is filtered through my

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00:19:23,350 --> 00:19:24,710
experience in the city.

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00:19:25,430 --> 00:19:29,130
Bob, you know that when we were
downtown, because we kind of knew each

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00:19:29,130 --> 00:19:30,870
other when I think we were 16.

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00:19:31,350 --> 00:19:32,350
Where did you hang out?

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Two blocks south of where you were,
right where we shot, actually, at 10

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00:19:38,190 --> 00:19:40,430
Manor Street, Mulberry Street, that
area.

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No matter what the immigrant group is,
the immigrant experience, I think it's

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generally the same pattern.

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Who are we in this country?

235
00:19:51,550 --> 00:19:53,090
You know, what are we?

236
00:19:54,750 --> 00:19:57,130
It's a great experiment. Will it
continue?

237
00:19:57,350 --> 00:19:59,370
You know, can we make it continue?

238
00:20:20,490 --> 00:20:24,770
You've seen the pictures of me and
Fellini and Sergio Leone.

239
00:20:26,030 --> 00:20:27,350
Oh, my God, that's great.

240
00:20:29,850 --> 00:20:34,230
My parents at a certain point had to be
moved from Elizabeth Street because they

241
00:20:34,230 --> 00:20:37,410
couldn't go up and down the stairs
anymore, so they got them an apartment

242
00:20:37,410 --> 00:20:44,390
in an elevator building on 19th Street
and 3rd

243
00:20:44,390 --> 00:20:45,389
Avenue, remember?

244
00:20:45,390 --> 00:20:49,110
The first time I visited the apartment,
Sergio was with me. I said, this is a

245
00:20:49,110 --> 00:20:51,430
grand occasion. I said, maybe the first
time you're visiting the apartment.

246
00:20:51,870 --> 00:20:54,930
And my mother made all this food for
him.

247
00:20:55,570 --> 00:20:57,310
She liked him, said he was a very good
eater.

248
00:20:58,350 --> 00:21:04,710
But at that time, this place, the only
excellent restaurant, for example, and

249
00:21:04,710 --> 00:21:05,730
place was the Odeon.

250
00:21:06,970 --> 00:21:09,130
Everything else was dead empty.

251
00:21:09,910 --> 00:21:12,310
There was nothing here except the Odeon.

252
00:21:12,950 --> 00:21:14,310
I stayed here for quite a while.

253
00:21:14,780 --> 00:21:20,420
You know, and as we did, it became more
lively, places opened, people started to

254
00:21:20,420 --> 00:21:21,420
move down here.

255
00:21:21,560 --> 00:21:23,780
So the place started to come together.

256
00:21:24,520 --> 00:21:31,420
I was here at the time of where it was
just the very, very beginning of

257
00:21:31,420 --> 00:21:34,100
the development of the place, put it
that way.

258
00:21:34,320 --> 00:21:38,420
You know, where people actually started
to be encouraged to come here and also

259
00:21:38,420 --> 00:21:39,420
to create it.

260
00:21:45,130 --> 00:21:50,630
When I first moved here, and I would
say, I was living in Tribeca, and people

261
00:21:50,630 --> 00:21:54,650
would say to me, I thought you moved to
New York. And I'd say, I have moved to

262
00:21:54,650 --> 00:21:55,209
New York.

263
00:21:55,210 --> 00:21:56,790
It's Tribeca.

264
00:21:57,010 --> 00:21:59,410
It's the triangle below Canal Street.

265
00:22:05,190 --> 00:22:10,030
If you look at a map of lower Manhattan
in the early 1800s, this place was

266
00:22:10,030 --> 00:22:13,170
mostly open fields, right at the edge of
the city.

267
00:22:14,730 --> 00:22:19,810
The closeness to the water, the
accessibility of all the piers, the

268
00:22:19,810 --> 00:22:26,650
wholesale food market, all those things
drove Tribeca to become what it

269
00:22:26,650 --> 00:22:32,770
was. And this area became this actually,
you know, rather beautiful little

270
00:22:32,770 --> 00:22:38,810
industrial village in the 70s. There was
still a certain amount of industry,

271
00:22:39,070 --> 00:22:43,010
but not enough to really keep it going.

272
00:22:44,480 --> 00:22:51,100
As artists began to be priced out of
Soho, they trickled down

273
00:22:51,100 --> 00:22:57,840
below Canal Street and into this
industrial area that was weirdly off the

274
00:22:57,840 --> 00:23:01,300
radar. There were very few people.

275
00:23:01,760 --> 00:23:03,820
I mean, it was bleak.

276
00:23:04,600 --> 00:23:10,200
If you think of Marty's film, After
Hours, it was like that.

277
00:23:11,020 --> 00:23:12,780
But there was a lot of...

278
00:23:12,990 --> 00:23:16,490
freedom and you know you can hang
yourself with it or you can find it to

279
00:23:16,490 --> 00:23:22,950
be liberating tribeca became a place
where you could live and work in the

280
00:23:22,950 --> 00:23:28,530
same room where young families moved
into former factories like so much in

281
00:23:28,530 --> 00:23:31,730
new york it wasn't designed that way it
just worked

282
00:23:31,730 --> 00:23:38,410
the space that i remember

283
00:23:38,410 --> 00:23:42,700
particularly during the day was all
trucking Trucks everywhere then at

284
00:23:42,700 --> 00:23:44,140
night. It was dead empty.

285
00:23:44,660 --> 00:23:51,560
It was really good for stealing hubcaps
or Any kind of sex that you wanted

286
00:23:51,560 --> 00:23:56,580
or like drugs that was you couldn't
nobody could see anything Yeah, I'm done

287
00:23:56,580 --> 00:24:01,180
before after-hours. So try Becca all of
a sudden now is like the Elysian Fields.

288
00:24:01,440 --> 00:24:08,000
I mean well I Said I know guys used to
steal hubcaps take cars from here. What

289
00:24:08,000 --> 00:24:09,000
is it?

290
00:24:09,770 --> 00:24:11,190
Not that I did. I'm just saying.

291
00:24:16,170 --> 00:24:21,270
In this corner of New York City between
the Wall Street Traders and the Soho Art

292
00:24:21,270 --> 00:24:25,870
Galleries, De Niro is building a film
community, a place for ideas, talent,

293
00:24:25,950 --> 00:24:28,450
and money can get together outside of
Hollywood.

294
00:24:28,710 --> 00:24:31,710
When I saw this building, I said it
would be nice to have a place that would

295
00:24:31,710 --> 00:24:36,010
have everything like a restaurant, a
screening room, especially this one,

296
00:24:36,050 --> 00:24:37,970
which is a state-of-the-art screening
room.

297
00:24:38,620 --> 00:24:42,500
Don't ask me all the details, but I know
it is, where a lot of people would be

298
00:24:42,500 --> 00:24:47,320
brought together in film, creative
people who, just by being together,

299
00:24:47,620 --> 00:24:53,660
ideas would come up and projects and so
on that we don't even know what they

300
00:24:53,660 --> 00:24:56,300
would be. I mean, the whole thing will
take on a life of its own.

301
00:25:06,000 --> 00:25:11,020
Gene and I started... Working together,
I saw this building and I thought, well,

302
00:25:11,020 --> 00:25:12,660
gee, it'd be great if we could do
something.

303
00:25:13,680 --> 00:25:14,840
It was my dream.

304
00:25:15,880 --> 00:25:19,000
And we actually got it done.

305
00:25:20,180 --> 00:25:22,800
I grew up in the village a few blocks
north.

306
00:25:23,600 --> 00:25:27,880
In the late 70s, I was looking around
for gym space to train for Raging Bull.

307
00:25:28,480 --> 00:25:30,360
That's when I kind of fell for the
neighborhood.

308
00:25:37,290 --> 00:25:41,670
The neighborhood was the Mercantile and
Butter and Egg District.

309
00:25:41,930 --> 00:25:46,950
This building was the former Martinson
Coffee and Tetley Tea Building.

310
00:25:47,630 --> 00:25:52,910
If you walked by this block, it really
did smell of coffee roasting.

311
00:25:53,670 --> 00:25:58,730
If you walked a little further south,
you got to the Nut District.

312
00:25:59,530 --> 00:26:03,910
The whole point was to build a place for
independent film in New York.

313
00:26:04,830 --> 00:26:08,310
People from LA always said, New York's a
nice place to visit. Wouldn't want to

314
00:26:08,310 --> 00:26:10,330
live there. Well, that was how it went
for me.

315
00:26:10,850 --> 00:26:13,130
LA's a nice place to visit. I wouldn't
want to live there.

316
00:26:14,070 --> 00:26:17,430
We wanted to be down here. It was more
unique, special.

317
00:26:19,030 --> 00:26:20,670
This building seemed perfect.

318
00:26:22,210 --> 00:26:26,750
What we did is take a manufacturing
building that was actually for physical

319
00:26:26,750 --> 00:26:30,030
manufacturing and turn it into a place
of...

320
00:26:30,570 --> 00:26:35,050
creating and manufacturing stories and
creativity.

321
00:26:56,170 --> 00:26:59,570
The first festival was only four days.

322
00:27:00,330 --> 00:27:03,670
And then we had to immediately start the
second festival.

323
00:27:06,510 --> 00:27:13,370
It is my pleasure to announce the second
annual Tribeca Film Festival will

324
00:27:13,370 --> 00:27:16,170
be returning to Lower Manhattan this
spring.

325
00:27:16,650 --> 00:27:20,670
And slowly it began to have this kind of
celebrity aura to it.

326
00:27:21,290 --> 00:27:26,970
It went from this emotional 9-11
experience to becoming a very valid

327
00:27:26,970 --> 00:27:27,970
festival.

328
00:27:29,600 --> 00:27:32,980
Tribeca helped give respect to
documentaries.

329
00:27:34,200 --> 00:27:36,500
It became part of the business.

330
00:27:37,520 --> 00:27:41,360
Find out who made it. Find out what else
they've done. Here's a name you never

331
00:27:41,360 --> 00:27:42,360
heard of before.

332
00:27:42,780 --> 00:27:48,820
Virunga is a story about a British oil
company that was illegally exploring for

333
00:27:48,820 --> 00:27:50,420
oil within a national park.

334
00:27:50,800 --> 00:27:54,960
There was a lot of people that didn't
want this film to see the light of day.

335
00:27:55,520 --> 00:28:00,200
A year after the film... launched at
Tribeca, Soko International, formerly

336
00:28:00,200 --> 00:28:01,760
withdrew from the Virunga National Park.

337
00:28:02,260 --> 00:28:06,660
And then people started talking about
the film as an awards contender.

338
00:28:07,240 --> 00:28:11,640
There's a contingent of filmmakers you
know will show up at Tribeca. They're

339
00:28:11,640 --> 00:28:14,380
the cream of the crop of film festival
talent.

340
00:28:15,140 --> 00:28:20,020
Taxi to the Dark Side, it had the
premiere at Tribeca, went on to win the

341
00:28:20,020 --> 00:28:21,020
Oscars.

342
00:28:28,110 --> 00:28:30,770
I just thought that this would be a
helpful time for us all to, like, now

343
00:28:30,770 --> 00:28:35,030
that the first screenings are up, to
actually look at it day by day.

344
00:28:35,250 --> 00:28:38,330
Are we kind of front-loading things that
we think are impactful?

345
00:28:38,670 --> 00:28:40,430
Does every day have a good balance?

346
00:28:41,490 --> 00:28:45,070
I think we've really become a discovery
festival.

347
00:28:45,630 --> 00:28:49,790
It's the part of the job that I think is
the most exciting, is that we could

348
00:28:49,790 --> 00:28:55,050
potentially be changing someone's life,
changing culture.

349
00:28:55,790 --> 00:29:00,270
putting fingerprints on what the film
culture in this country looks like.

350
00:29:00,470 --> 00:29:04,390
Voice of the Rainbow, Mouthful of Gold,
The Long Haul, those are kind of the

351
00:29:04,390 --> 00:29:08,090
ones I see on this list that could go
into a 250 to 350 size.

352
00:29:08,610 --> 00:29:10,450
An iconic class could fill one of those
Sunday slots.

353
00:29:11,750 --> 00:29:15,070
Hi, my name is Damien Chazelle. I'm the
writer and director of Guy and Madeline

354
00:29:15,070 --> 00:29:17,870
on a Park Bench, and this is my first
Tribeca Film Festival.

355
00:29:18,710 --> 00:29:22,470
One of my first years, we saw Damien
Chazelle's first film, Guy and Madeline

356
00:29:22,470 --> 00:29:23,470
on a Park Bench.

357
00:29:24,520 --> 00:29:27,820
He's gone on to such incredible success
since then.

358
00:29:28,740 --> 00:29:32,440
It's sort of mind-boggling. There's a
whole lot of filmmakers that have

359
00:29:32,440 --> 00:29:33,440
started here.

360
00:29:33,720 --> 00:29:37,040
Ryan Coogler had his first short here,
which was called Locks.

361
00:29:37,460 --> 00:29:41,240
We chose writer-director Nia DaCosta's
Little Woods.

362
00:29:42,020 --> 00:29:47,280
Nia DaCosta, she's a wonderful filmmaker
that has since completely blown up.

363
00:29:47,480 --> 00:29:48,480
Oh, wow.

364
00:29:49,420 --> 00:29:53,160
Winning something like that on your
first film is so...

365
00:29:54,770 --> 00:29:56,930
impactful. It makes people pay
attention.

366
00:29:57,610 --> 00:30:02,090
That's one of the things I really love
about Tribeca is that they genuinely are

367
00:30:02,090 --> 00:30:06,830
focused in expanding the kinds of films
that we get to see and from different

368
00:30:06,830 --> 00:30:07,830
kinds of people.

369
00:30:08,230 --> 00:30:12,330
My career was made there because that's
where I sold my film, and that really

370
00:30:12,330 --> 00:30:13,770
changed sort of my trajectory.

371
00:30:15,690 --> 00:30:21,510
We just kept doing what we set out to
do, finding new voices, new ways to tell

372
00:30:21,510 --> 00:30:25,800
stories. different perspectives, people
with something to say.

373
00:30:29,440 --> 00:30:34,260
We'd like to present the Founders Award
for Best Narrative Feature. The winner

374
00:30:34,260 --> 00:30:39,600
will receive $25,000, as well as an Art
Award valued at $50,000.

375
00:30:40,220 --> 00:30:44,800
The Art Awards program is something that
Jane conceived of in the very early days

376
00:30:44,800 --> 00:30:47,260
because we are a competitive festival.

377
00:30:51,280 --> 00:30:56,280
Every year, approximately 10 artists
contribute original artwork from their

378
00:30:56,280 --> 00:31:00,440
collection or something that they make
for the festival, and it serves as a

379
00:31:00,440 --> 00:31:01,440
filmmaker prize.

380
00:31:01,840 --> 00:31:04,160
So it's really one art form celebrating
another.

381
00:31:06,380 --> 00:31:09,920
Viable piece of art, it's a nice thing
to give to somebody.

382
00:31:10,440 --> 00:31:11,860
It grows with them.

383
00:31:13,060 --> 00:31:15,400
I never had a sense of community in my
life.

384
00:31:15,900 --> 00:31:20,660
To be a part of the Tribeca Film
Festival and to be a part of what it did

385
00:31:20,660 --> 00:31:23,700
for other people, I was very proud to be
part of that.

386
00:31:36,700 --> 00:31:40,020
How's it going? How you doing?

387
00:31:40,320 --> 00:31:41,720
When I first started the festival,

388
00:31:42,540 --> 00:31:46,800
Most of the films we showed were on like
35 or 16 millimeter.

389
00:31:47,520 --> 00:31:52,580
When digital came along, that kind of
opened up the ability to make films for

390
00:31:52,580 --> 00:31:54,020
so many more people.

391
00:32:00,180 --> 00:32:03,840
The more people who are making films,
the more kind of stories that are being

392
00:32:03,840 --> 00:32:07,880
told, the more different types of
stories you're going to get.

393
00:32:11,180 --> 00:32:16,940
Part of what a festival does is bring
people together to watch all kinds of

394
00:32:16,940 --> 00:32:20,700
films and have discussions afterwards
and hear what a filmmaker was thinking

395
00:32:20,700 --> 00:32:26,000
and engage in some real interesting
conversations.

396
00:32:26,500 --> 00:32:32,540
That night was the happiest moment of my
life.

397
00:32:32,800 --> 00:32:34,720
Ladies and gentlemen, please give it up.

398
00:32:35,050 --> 00:32:40,210
for the director and cast of the
godfather and the godfather part two

399
00:32:40,210 --> 00:32:45,430
i've been asked by big shots how do you
make a film that is successful

400
00:32:45,430 --> 00:32:50,970
financially and also artistically and i
i said to him risk

401
00:33:24,770 --> 00:33:30,770
Good evening everyone and welcome to the
25th Tribeca Festival.

402
00:33:32,330 --> 00:33:37,030
It's hard to believe that it's been half
a century since the brilliant Martin

403
00:33:37,030 --> 00:33:39,330
Scorsese delivered us Taxi Driver.

404
00:33:40,010 --> 00:33:40,810
They

405
00:33:40,810 --> 00:33:47,850
are

406
00:33:47,850 --> 00:33:50,870
joined here tonight by other incredible
artists.

407
00:33:51,440 --> 00:33:55,700
at the heart of Taxi Driver, Jodie
Foster and Paul Schrader.

408
00:33:58,820 --> 00:34:04,780
Jodie was only 12 years old when she
starred in Taxi Driver and Paul, the

409
00:34:04,780 --> 00:34:08,239
extraordinary screenwriter who brought
Taxi Driver to life.

410
00:34:09,219 --> 00:34:15,960
Please join me in welcoming Martin
Scorsese, Robert De Niro,

411
00:34:16,159 --> 00:34:19,639
Jodie Foster, Paul Schrader, and W. Elmo
Bell.

412
00:34:24,960 --> 00:34:29,139
Taxi Driver is about a disaffected young
man who has problems connecting

413
00:34:29,139 --> 00:34:34,159
romantically with women and hyper
focuses on politicians in the wrong ways

414
00:34:34,159 --> 00:34:38,040
and wants to be the hero in his own
story. Why do you think this is relevant

415
00:34:38,040 --> 00:34:39,040
today?

416
00:34:41,040 --> 00:34:47,280
There was something absolutely 100% true
and authentic about the

417
00:34:47,280 --> 00:34:52,100
character's disaffection and loneliness
that I didn't really understand but that

418
00:34:52,100 --> 00:34:53,100
I knew was really true.

419
00:34:53,810 --> 00:34:56,010
Mr. Scorsese, what do you think? Why has
this film endured?

420
00:34:56,650 --> 00:35:01,590
When I saw the cab, I began to realize
that it's that arc of despair.

421
00:35:02,310 --> 00:35:05,170
New York in the summer has got great
steam.

422
00:35:07,170 --> 00:35:11,050
The steam comes up, and the cab came
through. It's, oh, my God. Look at that.

423
00:35:11,110 --> 00:35:14,470
Somebody said, oh, it's supposed to be
the hell metaphor. I wasn't making a

424
00:35:14,470 --> 00:35:15,970
metaphor. It's the cab coming through
the steam.

425
00:35:17,730 --> 00:35:19,830
No? Really, really, it was.

426
00:35:20,410 --> 00:35:24,210
Can we spare some words for that era of
New York City and what it was like to

427
00:35:24,210 --> 00:35:25,210
film in that era?

428
00:35:25,390 --> 00:35:29,450
There was something in the shoot of the
film that you could feel in the

429
00:35:29,450 --> 00:35:35,650
temperature. You could feel a kind of
violence all around you, and you could

430
00:35:35,650 --> 00:35:37,850
taste it in a way. I mean, it was the
city.

431
00:35:38,110 --> 00:35:39,630
It was falling apart.

432
00:35:40,770 --> 00:35:42,010
Really was falling apart.

433
00:35:42,350 --> 00:35:45,970
Sitting there in the village saying,
this is the greatest fucking place on

434
00:35:45,970 --> 00:35:46,970
Earth.

435
00:35:48,470 --> 00:35:49,470
It really was.

436
00:35:51,370 --> 00:35:54,550
So I'm not going to be able to leave
here alive if I don't ask about one

437
00:35:54,550 --> 00:35:56,130
scene in particular from Taxi Driver.

438
00:35:56,350 --> 00:35:57,229
Do you remember?

439
00:35:57,230 --> 00:35:58,230
I think so.

440
00:35:59,670 --> 00:36:02,590
Would you happen to remember what the
famous line from that scene is?

441
00:36:02,950 --> 00:36:04,310
Yes, I know it.

442
00:36:07,590 --> 00:36:08,890
Are you talking to me?

443
00:36:15,830 --> 00:36:17,050
I'll add one more thing.

444
00:36:18,380 --> 00:36:19,460
I'm the only one here.

445
00:36:20,580 --> 00:36:22,900
That's the point. That was the point.
You're right.

446
00:36:27,500 --> 00:36:34,200
It didn't matter how much we

447
00:36:34,200 --> 00:36:35,200
expanded or grew.

448
00:36:35,580 --> 00:36:37,460
We never forgot where we came from.

449
00:36:38,400 --> 00:36:43,360
You're opening up the festival this year
with a movie, United 93, which of course

450
00:36:43,360 --> 00:36:45,760
tells the story of the flight that
crashed in Pennsylvania.

451
00:36:46,510 --> 00:36:50,890
You couldn't think of not opening the
festival with the movie. Let's put it

452
00:36:50,890 --> 00:36:51,890
that way.

453
00:36:53,650 --> 00:36:57,110
We invited all the families to come to
the festival.

454
00:36:58,250 --> 00:37:00,950
They never felt part of the national
grief.

455
00:37:01,250 --> 00:37:05,390
That was for the Pentagon, and it was
for New York.

456
00:37:05,650 --> 00:37:07,830
They didn't talk about United 93.

457
00:37:08,370 --> 00:37:10,770
This is a movie to see to be strong.

458
00:37:11,010 --> 00:37:14,070
To be strong. Not to be afraid of
nobody.

459
00:37:17,900 --> 00:37:20,680
There were sobs in the theater.

460
00:37:21,500 --> 00:37:23,720
It was people grieving.

461
00:37:24,760 --> 00:37:29,640
We were there for each other,
collectively, singularly.

462
00:37:31,660 --> 00:37:34,940
It harkens back to why we built the
festival in the first place.

463
00:37:41,780 --> 00:37:44,360
Tribeca is not actually a triangle.

464
00:37:44,920 --> 00:37:46,420
It's a quadrilateral.

465
00:37:47,070 --> 00:37:49,470
That speaks to exactly what Tribeca is.

466
00:37:50,250 --> 00:37:54,550
It's just kind of a little tilted, a
little quirky, a little surprising,

467
00:37:54,790 --> 00:37:55,790
unexpected.

468
00:37:56,550 --> 00:37:58,690
It isn't just borders on a map.

469
00:37:59,470 --> 00:38:00,510
It's a feeling.

470
00:38:01,030 --> 00:38:02,370
It's a vibe.

471
00:38:03,370 --> 00:38:06,510
At the heart, we are about a community
and bringing people together.

472
00:38:07,410 --> 00:38:11,390
And there's nothing like a New York
audience because it's as diverse as

473
00:38:11,390 --> 00:38:14,750
every point of view that can exist in
the world. It's here in New York.

474
00:38:15,720 --> 00:38:17,760
I feel like we're an audience festival.

475
00:38:18,020 --> 00:38:22,140
That first festival it was about how
many people we could bring downtown.

476
00:38:22,500 --> 00:38:24,660
That first year David Bowie played.

477
00:38:28,960 --> 00:38:35,700
Music became part of the festival

478
00:38:35,700 --> 00:38:42,300
going forward because it was a way to
celebrate and we needed to start to feel

479
00:38:42,300 --> 00:38:43,300
good again.

480
00:38:44,170 --> 00:38:49,230
Elton John performed, and he played your
song and dedicated it to New York City.

481
00:38:49,510 --> 00:38:50,990
This one's for you with my love.

482
00:38:52,590 --> 00:38:58,010
Now we have Taylor Swift and Miley Cyrus
coming, and we had Nas come with his

483
00:38:58,010 --> 00:38:59,010
time-ismatic film.

484
00:39:00,190 --> 00:39:01,690
Nas is New York.

485
00:39:01,950 --> 00:39:03,310
Hip-hop is New York.

486
00:39:04,890 --> 00:39:09,790
Opening the Tribeca Film Festival,
Robert De Niro comes out.

487
00:39:10,120 --> 00:39:14,220
and introduces the film. This film tells
the story of the making of an artist and

488
00:39:14,220 --> 00:39:16,320
the making of an album here in our
hometown.

489
00:39:17,440 --> 00:39:20,080
It was a surreal moment, to say the
least.

490
00:39:20,300 --> 00:39:21,640
I want to thank Robert De Niro.

491
00:39:22,180 --> 00:39:23,900
He plays me in all his movies.

492
00:39:26,680 --> 00:39:32,960
Artists in the city, we're like born
with this obligation to represent New

493
00:39:32,960 --> 00:39:36,300
York. You have to express it in your
art.

494
00:39:37,100 --> 00:39:38,100
I love you.

495
00:39:50,350 --> 00:39:54,410
Governor Cuomo just announced the first
confirmed case in New York City. The

496
00:39:54,410 --> 00:39:59,190
number of cases has climbed to 5,000.
Coronavirus crisis in the nation's

497
00:39:59,190 --> 00:40:00,850
largest city is exploding.

498
00:40:01,350 --> 00:40:06,030
Bars, restaurants, entertainment venues
shut down in an attempt to slow the

499
00:40:06,030 --> 00:40:07,470
rapidly spreading virus.

500
00:40:08,870 --> 00:40:12,450
In March of 2020, everything stopped.

501
00:40:13,670 --> 00:40:15,190
New York shut down.

502
00:40:16,250 --> 00:40:17,470
Almost overnight.

503
00:40:18,070 --> 00:40:19,450
Theaters went dark.

504
00:40:20,880 --> 00:40:21,880
Streets were empty.

505
00:40:23,340 --> 00:40:28,100
We were one of the first festivals that
had to pause during COVID.

506
00:40:28,540 --> 00:40:35,520
I was struck by the fact that we started
the festival to bring people

507
00:40:35,520 --> 00:40:40,560
together. And COVID, we couldn't touch
each other.

508
00:40:41,920 --> 00:40:48,280
Tribeca is now helping New York
rejuvenate post-COVID.

509
00:40:48,730 --> 00:40:53,050
We've been through a grueling year, and
it's been devastating, frustrating, at

510
00:40:53,050 --> 00:40:54,050
times frightening.

511
00:40:54,370 --> 00:40:58,910
Today, we're thrilled to be able to
bring the Tribeca Film Festival to all

512
00:40:58,910 --> 00:41:04,170
five boroughs as a tribute to
storytelling and cultural richness of

513
00:41:04,170 --> 00:41:05,690
every part of New York.

514
00:41:07,310 --> 00:41:11,890
Tribeca will be the first in-person film
festival to take place in all of North

515
00:41:11,890 --> 00:41:14,850
America since the pandemic began over a
year ago.

516
00:41:15,090 --> 00:41:16,130
Well, first of all, congratulations.

517
00:41:16,610 --> 00:41:17,610
Thank you. Thank you so much.

518
00:41:17,670 --> 00:41:21,650
John Chu had one of his early short
films here at Tribeca.

519
00:41:22,450 --> 00:41:23,750
This is where we started.

520
00:41:24,850 --> 00:41:30,470
When we came here for the first time, we
were wide-eyed and innocent, within the

521
00:41:30,470 --> 00:41:31,470
heights being there.

522
00:41:31,550 --> 00:41:34,450
It couldn't have been more full circle
for us.

523
00:41:34,990 --> 00:41:39,330
We were back and it was this community
in Washington Heights where we premiered

524
00:41:39,330 --> 00:41:41,190
it, where we shot the movie.

525
00:41:41,470 --> 00:41:48,150
So to come back there after being locked
down, to be outside, just felt like a

526
00:41:48,150 --> 00:41:52,450
return to not just home, but to
normalcy.

527
00:41:52,790 --> 00:41:54,730
It was like breathing air again.

528
00:41:55,950 --> 00:41:59,790
You just saw people come back and just
for an hour or two, they were able to

529
00:41:59,790 --> 00:42:03,070
forget everything going on in the world
and in their lives.

530
00:42:03,850 --> 00:42:07,770
We bought the entertainment that was
originally what Tribeca was all about.

531
00:42:08,290 --> 00:42:13,430
It was amazing to see just New Yorkers
being New Yorkers again.

532
00:42:19,910 --> 00:42:26,430
Film has the ability to take people out
of the world they live in and show them

533
00:42:26,430 --> 00:42:27,430
other things.

534
00:42:27,990 --> 00:42:30,630
That's, for me, the beauty of the arts.

535
00:42:31,270 --> 00:42:33,030
You are able to share.

536
00:42:33,560 --> 00:42:38,020
This is what I think, and this is who I
am. Who am I doing downtown? I never

537
00:42:38,020 --> 00:42:38,899
come downtown.

538
00:42:38,900 --> 00:42:39,900
I hate downtown.

539
00:42:41,680 --> 00:42:45,680
Artists reveal certain truths that some
people are afraid to face, and that's

540
00:42:45,680 --> 00:42:46,680
why they're artists.

541
00:42:47,140 --> 00:42:51,740
At the end of the day, artists are just
trying to point out what's going on.

542
00:42:52,220 --> 00:42:54,960
Art is inclusive. It brings people
together.

543
00:42:55,760 --> 00:42:58,160
Tonight, art looks for truth.

544
00:42:58,380 --> 00:43:01,880
Art embraces diversity, and that's why
art is a...

545
00:43:02,490 --> 00:43:08,590
is a threat that's why we are a threat
to autocrats and fascists

546
00:43:08,590 --> 00:43:14,130
and this isn't just an american problem
it's a global one

547
00:43:14,130 --> 00:43:20,570
unlike a film we can't just all sit back
and watch we have to act

548
00:43:20,570 --> 00:43:27,310
and we have to act now another suspected
explosive was found in the mail that

549
00:43:27,310 --> 00:43:32,960
package sent to the tribeca offices of
actor robert de niro Bob is really

550
00:43:32,960 --> 00:43:36,040
fearless in what he's willing to take
on.

551
00:43:36,260 --> 00:43:38,500
I feel betrayed by my country.

552
00:43:39,320 --> 00:43:43,760
It doesn't have to be perfect, but it
does need to return to the values that

553
00:43:43,760 --> 00:43:45,420
gave us our strength and humanity.

554
00:43:47,660 --> 00:43:54,120
And particularly proud of him and his
voice as an independent, free

555
00:43:54,120 --> 00:43:58,120
person speaking about the situation that
we're living in.

556
00:43:59,660 --> 00:44:05,360
Someone like Bob, when he uses his
words, can bring people's attention to

557
00:44:05,360 --> 00:44:06,480
certain issues.

558
00:44:07,120 --> 00:44:10,720
You're always about lifting up everybody
around you. Yeah, of course.

559
00:44:11,040 --> 00:44:12,040
Why is that?

560
00:44:16,340 --> 00:44:17,340
You have to.

561
00:44:18,000 --> 00:44:21,640
You have to lift people up. Why? You
have to bring them together.

562
00:44:23,020 --> 00:44:24,020
Period.

563
00:44:25,220 --> 00:44:26,800
You can't divide people.

564
00:44:27,620 --> 00:44:28,980
You can't win that way.

565
00:44:35,760 --> 00:44:37,280
It's a no-win situation.

566
00:44:42,780 --> 00:44:47,860
We give out an award that the late Paula
Weinstein started in honor of Harry

567
00:44:47,860 --> 00:44:50,260
Belafonte for artists and activism.

568
00:44:51,160 --> 00:44:53,440
Artists are the gatekeepers of truth.

569
00:44:53,840 --> 00:44:58,000
This year, we're giving the Belafonte
Award to Bruce Springsteen.

570
00:44:58,730 --> 00:45:04,770
He's not afraid to fight back with his
words, his music, and about what's been

571
00:45:04,770 --> 00:45:06,090
going on in this country.

572
00:45:06,430 --> 00:45:13,170
This past winter, federal troops brought
death and terror to the streets of

573
00:45:13,170 --> 00:45:14,170
Minneapolis.

574
00:45:14,830 --> 00:45:19,850
Bruce is exactly the right person to
write that lament, Streets of

575
00:45:19,850 --> 00:45:23,190
Minneapolis, right at the moment when we
all needed to hear it.

576
00:45:30,829 --> 00:45:35,090
America tells its story in cinema.

577
00:45:35,810 --> 00:45:41,290
Cinema is where the American dream was
encoded before it was exported.

578
00:45:41,610 --> 00:45:42,970
And what followed?

579
00:45:43,210 --> 00:45:44,410
American music.

580
00:45:44,890 --> 00:45:46,510
Johnny Cash was America.

581
00:45:46,730 --> 00:45:48,070
Aretha Franklin was America.

582
00:45:48,330 --> 00:45:50,210
Harry Belafonte was America.

583
00:45:51,130 --> 00:45:53,690
Bruce Springsteen is America.

584
00:45:58,760 --> 00:46:04,800
Some songs manage to change not just the
room that they're recorded in, but they

585
00:46:04,800 --> 00:46:07,220
can change the atmosphere of a time.

586
00:46:08,000 --> 00:46:14,720
And we know how serious you feel, what
you're feeling for your

587
00:46:14,720 --> 00:46:18,720
country. I always work from the inside
out, you know, so you're sitting around

588
00:46:18,720 --> 00:46:25,200
and I'm just pissed off, you know. And,
you know, if art has the chance to shape

589
00:46:25,200 --> 00:46:28,040
culture... Culture shapes politics.

590
00:46:28,360 --> 00:46:30,480
Culture and politics shape the nation.

591
00:46:30,980 --> 00:46:33,660
And that's the business one.

592
00:46:34,520 --> 00:46:35,760
Bruce Springsteen.

593
00:46:36,780 --> 00:46:38,540
As if you didn't know.

594
00:46:45,040 --> 00:46:51,820
If you look through history, the town is
destroyed. People leave it.

595
00:46:52,340 --> 00:46:53,640
They go to another place.

596
00:46:54,500 --> 00:46:55,500
They didn't leave.

597
00:46:56,140 --> 00:47:00,360
Instead, put back in and resurrected,
really, the spirit of the city.

598
00:47:02,120 --> 00:47:06,360
We had done a film, it was Gangs of New
York at the time, and the draft riots

599
00:47:06,360 --> 00:47:10,340
took place right here. And that was one
of the worst riots in American history.

600
00:47:11,220 --> 00:47:17,180
So these cataclysms occur, but it didn't
stop the evolution.

601
00:47:19,820 --> 00:47:24,020
I mean, Tribeca has become a festival
you have to be thinking about in the

602
00:47:24,020 --> 00:47:25,480
festival world wherever you are.

603
00:47:26,380 --> 00:47:27,720
There's an energy downtown.

604
00:47:28,080 --> 00:47:30,340
It's things going on in the streets.

605
00:47:31,060 --> 00:47:36,860
It was a celebration, and it really said
life goes on, and it really said film is

606
00:47:36,860 --> 00:47:37,860
important.

607
00:47:38,460 --> 00:47:43,440
It's like Coney Island for the soul.
That's what the festival is.

608
00:47:43,860 --> 00:47:47,000
And for me, it's always shiny that way.

609
00:47:48,140 --> 00:47:52,280
It's super important to have these film
festivals where people can actually

610
00:47:52,280 --> 00:47:55,860
commune. communicate, and have a
dialogue.

611
00:47:56,340 --> 00:47:57,860
That's what it's about, really.

612
00:47:58,500 --> 00:48:02,720
At film festivals, you're not arguing,
you're listening.

613
00:48:02,940 --> 00:48:07,500
And I think listening is becoming a lost
skill.

614
00:48:08,900 --> 00:48:15,560
The pillars that we've put in place in
terms of artists and activism, hopefully

615
00:48:15,560 --> 00:48:22,280
that's something that can bring people
together for another 25 years.

616
00:48:32,140 --> 00:48:38,560
There are so many of our new colleagues
here that don't remember 9-11.

617
00:48:38,860 --> 00:48:42,980
Some of you weren't even born on 9-11,
2001.

618
00:48:44,480 --> 00:48:49,320
I want to invite all of you to the 9-11
Museum and Memorial.

619
00:48:50,320 --> 00:48:51,540
We'll have a tour.

620
00:48:52,340 --> 00:48:57,580
I've been a part of the museum since the
beginning, and I'm excited about showing

621
00:48:57,580 --> 00:48:58,580
it to you.

622
00:49:01,770 --> 00:49:06,150
square memorial pools, the waterfalls,
right? That's where the towers once

623
00:49:06,150 --> 00:49:07,150
stood.

624
00:49:08,330 --> 00:49:13,290
This is Foundation Hall. And Foundation
Hall is an archaeological site.

625
00:49:14,590 --> 00:49:16,730
So that wall has a lot of importance.

626
00:49:18,570 --> 00:49:23,270
The slurry wall served as a symbol of
resilience after the 9-11 attacks.

627
00:49:26,570 --> 00:49:28,790
We're going through the story of 9-11.

628
00:49:29,390 --> 00:49:33,330
but just as important is also what
happened on 9-12.

629
00:49:35,010 --> 00:49:36,670
People came together.

630
00:49:37,110 --> 00:49:42,110
You suddenly got to know who your
neighbors were that brought the festival

631
00:49:42,110 --> 00:49:44,370
together and the community together.

632
00:49:57,480 --> 00:50:00,980
New Yorkers and the rest of this country
proved that it wasn't about rebuilding

633
00:50:00,980 --> 00:50:06,960
the steel and glass It was about showing
the world what we represent

634
00:50:06,960 --> 00:50:13,960
That we're here for each other and that
we will continue

635
00:50:13,960 --> 00:50:16,920
to go on no matter what

636
00:50:29,640 --> 00:50:30,640
Betty Smith!

637
00:50:31,340 --> 00:50:38,240
There were deserts. I saw fountains. And
like cream, the

638
00:50:38,240 --> 00:50:39,240
waters rise.

639
00:50:39,820 --> 00:50:43,120
And we strolled there together.

640
00:50:43,520 --> 00:50:47,000
We learned to laugh or criticize.

641
00:50:47,360 --> 00:50:51,240
I was dreaming in my dreaming.

642
00:50:51,520 --> 00:50:57,220
God knows a pure view as I surrender.

643
00:50:58,320 --> 00:51:03,540
into my sleeping i commit my dream to
you

644
00:51:44,620 --> 00:51:51,420
Can come to pass through a union We can
turn the

645
00:51:51,420 --> 00:51:53,820
world around we can turn

